Avatar: The Last Airbender | The Rift (Part One) created by Bryan Konietzko and Michael Dante DiMartino, script by Gene Luen Yang, art by Gurihiru, lettering by Michael Heisler
Although our son incessantly watched various versions of the Avatar series on television and even more often on DVD, I had little knowledge for years of who’s who or what’s what. The casting controversy of the 2010 film version disastrously directed by M. Night Shyamalan is what actually made me take close notice (not to mention the ridiculously official email requests for assistance with finding the nameless “Asian-looking” faces for the anonymous large crowd scenes; nasty replies flew back!). And then 2006 and 2013 National Book Award finalist Gene Luen Yang took over the printed storyline in 2012, and I’ve been utterly hooked since!
The third and latest three-part adventure from Yang and company, The Rift, hits shelves mid-March – get your pre-orders in now! To find out how the city of Yu Dao – which both the Fire Nation and Earth Kingdom cohabit peacefully – has become “the example” that the other colonies are all trying to emulate, you’ll first have to read The Promise and then The Search to get the full picture – highly encouraged!
While celebrating the announcement of Yu Dao’s new coalition government, Aang is visited by the spirit of Avatar Yangchen, Aang’s predecessor “four Avatars ago.” She’s obviously in distress, but Aang is unable to hear her warnings. He later realizes that he’s being called to observe the Yangchen Festival, “one of the highest holidays on the Air Nomad calendar,” which “hasn’t been celebrated in over a hundred years.”
Gathering Katara, Sokka, metalbending buddy Toph Beifong, and three Air acolytes, Aang flies Appa (their fluffy mode of transport) to “a cliff overlooking the ocean” where the festival traditionally begins. As the motley crew parades down to the meadow, what they see, smell, and experience is not the “sacred place” it should be: “This is what Yangchen was trying to tell me,” Aang comes to understand her silent entreaty. Keeping the newfound peace here is going to be quite the challenge.
Yang makes Rift especially contemporary, adding environmental health to issues of loyalty, power, parent/child filial duties, sacred bonds, gendered expectations, and (of course) much more. Intertwined with all that swashbuckling flying and bending entertainment are always subtle reminders to think and act beyond one’s comfort zones. Lessons to be learned for us all.
Readers: Middle Grade, Young Adult